From: shokwave@ix.netcom.com
Date: Thu, 24 Jul 1997 19:17:08 -0500 (CDT)
====================
TIME CRISIS FAQ V1.0
by Joel Alambra
====================
This FAQ only covers the second campaign of Time Crisis as the first campaign is pretty straight
through.
=====
LOBBY
=====
This is the starting point of the game and eventually you will get to a point where there are
elevators to your left. To get in the elevator, which goes to the BALLROOM, you must kill all
the enemies in that area quickly. If your countdown timer started at 59.99 you have until about
25.00 to clear the area. If not you will end up going to the SHOPPING CENTER.
===============
SHOPPING CENTER
===============
There are two paths to choose here. Special thanks to Phil Yee for telling me about this.
After falling down the garbage chute, if you shoot the control center of the Crane, the crane
will fall down and create a hole that leads to the ARMS FACTORY. If you don't do this you will
go to the PARKING LOT.
========
BALLROOM
========
This is the area you access if you got into the elevator in the LOBBY. There are two paths at
the end of this stage, depending on how fast you beat that electrical guy at the end. If you
beat him in less than 50.00 sec, you will see Kantaris run area and you will go on to the
SWIMMING POOL. If you finished him in more than 50.00 sec, you will go on to the ARMS FACTORY.
============
ARMS FACTORY
============
There are again two paths to choose from at the end of this area. At the last part of this
stage you will see three big war heads. Two shots to any of these will blow all of them up and
end the scene. This causes you to wind up going back to the PARKING LOT. If you didn't blow up
the warheads you will end up going to the LOUNGE.
=============
SWIMMING POOL
=============
There are two paths at the end of this stage. The last scene where you decide starts off with
you hiding from a spray of machine gun shots (you had just climbed up a ladder.) During the
course of this scene you will see the orange men try and escape into the corridor in the
center of the stage. If enough men escape you will wind up going to the LOUNGE. To get to the
HELIPORT you must kill most, if not all of the orange men trying to escape.
===========
PARKING LOT
===========
This is the easy end of the game. To beat the spider-like machine boss near the end of the
stage you must fire bullets into the cockpit of the machine. After you beat the machine, you
will have to kill some red men and finally Kantaris. Kantaris tries to run you over with her
car. To kill her pump about three clips from your gun into the car. If you did this correctly,
she should drive out of control and into a pillar.
======
LOUNGE
======
The medium end of the game. To beat the robot you must shoot the lights at the center of the
robot. In order to kill Kantaris you must beat the robot as fast as possible. If you did this
successfully the robot will turn on again, turn around, and drive through the bullet proof
glass, kill Kantaris (she gets knocked out the window.)
========
HELIPORT
========
The hard end of the game. There really is no time limit to beat the plane. Just take your time
destroying the plane, but make sure you don't run out of time. After destroying the plane you
will go after Kantaris who takes off in another plane. Pump about three clips into the plane
that is taking off and it should blow up and crash. You must do this quickly as the plane
leaves pretty fast. If you beat the game successfully at the heliport you will be awarded with
pictures while the credits role by.
===============
Stage Breakdown
===============
HELIPORT
|
SWIMMING POOL---
| |
| |
BALLROOM--- |
| | LOUNGE
LOBBY --- | |
| ARMS FACTORY---
| | |
| | |
| | |
SHOPPING CENTER--- |
| |
PARKING LOT
======
Credit
======
Joel Alambra (showave@ix.netcom.com) - author
Phillip L Yee (philyee@value.net) - For the alternate path at the SHOPPING CENTER.
-----------------------------------------------------------------------
This FAQ may be distributed so long as it is not modified and the credits are left in.
Copyright 1997, Joel Alambra
